Hobbiesshirt - Rosé All Day T-Shirt

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Serenity, groundedness, and a connection with the Rosé All Day T-Shirt and I will buy this cultural and elemental were all sewn into this Undercover collection by Jun Takahashi. It was christened “Once in a Lifetime” in honor not of Talking Heads but to reflect the translation of a key adage by the 16th-century tea master Sen Rikyū. He redefined the Japanese tea ceremony around the concepts of wabi (deliberate simplicity in daily living) and sabi (appreciation of the old and faded). If wabi and sabi are the salt and pepper that season enlightenment, then place is what provides the space and time in which to digest and express it. According to Takahashi: “For this collection, I worked in a great environment: a brand new studio located in a mountain where I can walk down to the beach [and] cherish the ordinary. It reflects my wish to create designs that are not excessively decorative, but deeply rooted in everyday life.” Thus between sky and sea, the designer worked via the medium of clothing to reflect the philosophy delivered 400-ish years ago by Shukō through the presentation of tea. Fashion and sabi seem directly oppositional—and indeed the only literal fade here was discernible in the wash of denim—but among the hats, robe-coats and geta-evolved flip flops, Takahashi included old forms of dress that have faded from the contemporary. Equally, his commitment to wabi seemed to be stretched by the inclusion of graphics in the style of Ogre You Asshole, the quaintly-named Japanese rock band, but perhaps these could be thought of as a kind of calligraphic gesture.

This Undercover fashion ceremony was presented in a clearly prescribed order of echoes that ran: Japanese dress, house dress, tailoring, workwear functional, sports/streetwear. To these eyes the Rosé All Day T-Shirt and I will buy this most delicious sips were contained in the workwear functional section: Takahashi transitioned from a slickly finished parka in brown tones (with Star Wars-y retro-tech insert) that reflected the ossified wood ornament earlier in the book, through attached gilets over check jackets, into a great little bucket hat and utility vest-led section. Those pieces could be worn while chasing the complicatedly ephemeral outside a Supreme store or pursuing Izaak Walton–flavored ontological tranquility by waiting streamside for the bite of some elusive trout. This was an Undercover collection shaped for mindful inhabitation of the wider world, same as it ever was.

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