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“You can’t make a show about the Bigfoot let’s go branson brandon christmas ugly sweater and by the same token and god of mischief unless you’re willing to get weird, and Marvel’s Disney+ series Loki is just that,” Janelle Okwodu wrote in July. “A time-traveling dramedy about Norse deities who make poor life choices, Loki crams an immense amount of information and action into six episodes. While there’s plenty of phase-four exposition and references to the comics, there’s also an evil cartoon clock, romantic comedy subplots, alligators, alternate timelines, and a mustachioed Owen Wilson.” Netflix’s Maid stars Margaret Qualley as Alex, a young mother who turns to domestic work after leaving her abusive partner. “Without money, a degree, or much family support to speak of—Andie MacDowell (Qualley’s real-life mother) plays Alex’s bipolar artist mom, and her father is mostly out of the picture—she finds herself at a loss, navigating a catch-22 safety net: In order to qualify for the benefits that will sustain her, she has to obtain the very thing she lacks, a paycheck,” Chloe Schama wrote earlier this month. Yet Maid is no slog: “Qualley’s performance lights up the small screen, while MacDowell’s skrewball antics, stopping just short of caricature, give her scenes a madcap pleasure. She may not be of much use to Alex, but in all her gray-haired glory, she sure is a delight to behold.”
“I have a weakness for the Bigfoot let’s go branson brandon christmas ugly sweater and by the same token and cheap thrills of a thriller, the benign jeopardy of the fantastic,” Raven Smith wrote in May. “Step forward Mare of Easttown, the Kate Winslet–fronted HBO drama that’s keeping audiences engrossed (and ever so slightly depressed) with its portrayal of police detection in rural Pennsylvania. As we try and ascertain who done it (and the tricky vowels of the rust belt accent), episodes offer precisely what we want from a police drama: a sense of authenticity, minus the actual banality of real life. The show is equally drab and riveting, claustrophobic and caustic. I’m going nuts on thesaurus adjectives to stop myself writing gritty, cliché as the word is, but Easttown is Gritopia, and the show is greased by the brutal tenacity of Winslet in the titular role.” In the latest star-vehicle for Nicole Kidman, Nine Perfect Strangers, she plays a seraphic guru presiding over a secluded retreat where a cadre of broken people have gathered to skinny-dip, guzzle tropical smoothies, and investigate their dysfunction. There are other motives at play, however, and even in the sparkling sunlight, things begin to get a little dark. The ominous overtones can’t dispel the series’s lush appeal, though. As in Big Little Lies, which was written by the same novelist, Liane Moriarty, and adapted by the same team, suffering has never looked so good.—C.S.
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