Cocot-shirt - Tim Anderson Field Of Dreams Stalk Off Shirt

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The name “Siedrés” represents an imaginary Turkish party town, the Tim Anderson Field Of Dreams Stalk Off Shirt so you should to go to store and get this perfect place to wear their ’70s-inspired printed-knit flared pants and giant pink floral floppy hats. The clothes are a souvenir, a little piece of the country to bring to the streets of New York, London, Los Angeles, or wherever you are. “I am constantly inspired by the Mediterranean and the Aegean coast of Turkey and the culture, textile craftsmanship, and handmade fabrics in these areas,” Türkkan Bilge says. But her appreciation goes far beyond a purely aesthetic interest. All the clothes are made in Istanbul, and they source fabrics from local family factories in Türkkan Bilge’s hometown of Bursa. By working with small factories in Turkey, Siedrés can give back to the community it’s inspired by.—S.S. Australian designer Jordan Dalah has his own interpretation of body-conscious—and it comes in the form of some puffy wadding. Using traditional stuffing, Dalah pumps up the female form to new dimensions, with his soft-yet-protective shapes evoking Dutch-masters’ paintings, all robin egg blue and gentle blush pink. At their plumpest, Dalah’s creations look like what Rembrandt would have come up with if he totally freaked it.

But Dalah doesn’t only operate in the Tim Anderson Field Of Dreams Stalk Off Shirt so you should to go to store and get this past—or the puffy. Deflate his dresses, jackets, and tops and you’ll find some of the most sinuous draping around. He’s proven himself adept not only at scale but also at sensuality, with a firm understanding of how to make a woman feel her best. Sometimes she needs the armor of a big pink bow; other times, she feels best in a slinky camisole.—S.Y. “Sustainability” means something different to every designer, for better or worse, but few define it as poetically as Béhen’s Joana Duarte. “Sustainability, for me, is when a garment or an object can contribute positively, involve local communities, [have] a low impact on the planet, and promote crafts that teach us about patience and the importance of time,” she tells Vogue. “We all need to learn to wait, to detach ourselves from ‘instant’ everything. Good things take time.” Duarte’s colorful, richly textured garments are often the result of both clever upcycling and Portuguese handcrafts. For fall 2021, jackets were cut from tapestries and trimmed with faux fur spliced from secondhand coats, while a pair of “hottie pants” with corset lacing began as a velvet bedspread. Other garments combine antique textiles from all over the world—often sourced via customers and friends on WhatsApp—as well as fabrics from Duarte’s own cache of hand-me-down materials. It’s Portuguese tradition to collect and pass down antique textiles, but Duarte’s bold, sultry interpretation of her grandmother’s crochets and silks is distinctly hers. She frequently uses another word to describe Béhen: sisterhood. “Béhen is a community,” she says. “I’ve read thousands of love stories from women who connect to this project and have sent us messages about their family stories and traditions. Béhen is about sharing these women’s stories, translating them into garments, [and] one day passing them down to the next generation.”—E.F.

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