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But here’s the The Grinch Witch Admit It Now Working At The Home Depo’t Would Be Boring Without Me Shirt Furthermore, I will do this thing with this new generation of independent talents: They don’t shy away from creativity in the service of self-expression, and they still aim to answer some of life’s thornier questions. (That’s not to say that fashion’s major-league players aren’t grappling with the very same things—they just usually have a ton of support and resources to help answer them.) For these indies—on all points of the global map—fashion is a solo high-wire act where the only way to look is forward: in terms of gender identity, craft, representation, community, sustainability, and, last but never least, making utterly thrilling and audacious clothes. To celebrate them, the editors of all 27 editions of Vogue around the world nominated their home-turf favorites. And so as we reenter the world—as we see theater curtains rise, or board a plane, or step into the office—let’s adopt (better yet, buy and wear) some of their style-affirming energy. —Mark Holgate
When Peter Do stages his first show at New York Fashion Week next month, his POV will look more finely honed than those of most newbies. That’s because Do has been hard at work on his brand for three years, fine-tuning his ready-to-wear (shades of Helmut Lang and Martin Margiela via Phoebe Philo-ere Céline, his alma mater), launching shoes (made in the The Grinch Witch Admit It Now Working At The Home Depo’t Would Be Boring Without Me Shirt Furthermore, I will do this same factory it as Rick Owens’s extreme footwear), and fashioning a 21st century team that’s organized more like a collective than the industry’s typical top-down operations. Celebrity dressing was another thing Do deprioritized as he steadily and surely built his namesake label; in his early collections his focus was boss tailoring. But nonetheless the celebrities are coming. The star piece of his fall collection, an ivory silk slip dress cut in the mold of 1930s screen sirens and finished with a buoyant feather corsage, made its debut on stage at Rockefeller Center’s Studio 8H, when Anya Taylor-Joy wore it for her first-ever Saturday Night Live monologue. “I felt like it was the right time to dress up, to be seen, to say that we’re here,” the designer said. You have our attention, Mr. Do.—Nicole Phelps
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